Wow. Pretty happening weekend. Lots of rock to report on. Let's get started right away. Before Friday's Charlemagne show at Mick's, I went to a small dinner party at the apartment of a friend of a friend. The food was good, I had a few beers, and met a woman with some serious potential. I'm pretty picky about women, I admit. My impossibly high standards are rarely met (that is me being sarcastic). The woman (whose name will remain under wraps for the time being) is an artist, and has a number of paintings in some upcoming shows. I'm looking forward to seeing some of her work; and you may see me becoming a patron of the arts in the near future.
After dinner, we cruised over to Mick's to see the show. Mick's is a nice bar with a unique look and a good sound system. There aren't too many shows there that I like, so I rarely ever go there. It's pretty much an acoustic club -- folk and blues. Charlemagne is pretty mellow, but Mick's was the wrong place for them to play. In all honesty, I spent most of the set at the back of the club chatting up my new friend. The band would have had a better reception if they had played at a place like O'Leavers. They should discuss this with their agent.
Saturday night's concert experience was much better. The show's order ended up working out perfectly for me. I was pretty beat from the night before, so when I heard that Eagle*Seagull and Ghosty would be playing first and second, I was pretty happy.
Here is my crappy cameraphone shot of Eagle*Seagull last night.
Eagle*Seagull was really good last night. They were totally able to pull off the intricacies of their arrangements in a live setting. The singer/keyboardist delivered on all the unusual vocal melodies, and the band sounded really tight. Last night's show was the beginning of a lengthy, nationwide tour. Check the band's MySpace page to see if they are playing near you.
Got a chance to speak with the bassist from Ghosty during E*S's set. Nice guy. I told him that I had been playing their record on my show, but that the band's label hadn't responded to any of my emails. He thanked me, and then said that he hears that a lot about the label. I bet they are looking for a new one (although he did not say that). Ghosty had a new EP for sale at the show, and I picked one up. Apparently, these are demos of songs that will be on the next CD -- whenever that comes out. When I told the guy how much their CD reminded me of XTC's English Settlement he said that they had been hearing that a lot, but they did not know XTC's music. Now they have gotten a few CDs and love the band. How weird.
Ghosty was great live. I didn't realize they performed with a keyboard player. At one point the singer/guitarist and the keyboard player switched places, but there was not a time where they used two guitars. I wish they had. But that is a monor complaint. They were great as they were.
Though the members of Landing on the Moon were nice enough to give me a copy of their new CD, I was too tired to stay for their set. I'll give the CD a listen this week, and assuming it's good, will try and play it on the show. Obviously, I missed Claire De Lune as well.
The Dark Stuff is an online music magazine and podcast that focuses primarily (though not exclusively) on independent artists that perform in Omaha, Nebraska and the Midwest.
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